How to Paint Clouds

Cloud No. 1  painted in Watercolor

Cloud No. 2  painted in Watercolor

In a landscape painting you will almost always have to paint a sky; and clouds are important as a landscape element.  The time of day and the location of the clouds in the sky are essential planning items in the composition  for the sky. . The "rule of thirds" is a good guideline:  One-third sky and two-thirds clouds or one-third clouds and two-thirds sky. Taking photos and sketching clouds outside is the best way to learn how to paint clouds. You need to find a variety of shapes and sizes.

There are several techniques to painting clouds. 1. Paint wet-on-wet sky colors leaving white paper to form the cloud shapes.  The wet-on-wet technique gives an abstract look for the sky and you never know what it will be until the paint is dry. 2. Paint  the sky, then lift  the sky colors while they are still wet to form the cloud shapes.  Lifting the sky color with a tissue gives more control of where and how large the cloud areas will be.  3. Another method I use often is the wet on dry technique.  Painting the sky colors around cloud shapes and then adding colors to the cloud shape after it is dry..

The two cloud shapes shown above were created by the wet-on-dry technique.

• Draw a cloud shape with a light pencil line. 
• Mix the sky color.  Choices are Cerulean Blue, Cobalt Blue and Ultramarine Blue. Blue is used for a sunny day, Other colors are grey for a cloudy day and yellow, orange, and red for sunrise and sunset. 
• Load a large flat brush and paint the sky colors (varied from light to dark) around the shapes of the cloud.  Vary the edge shapes and values by adding water, blotting and changing the brush stroke using the sides and flat parts of the flat brush. The key here is to vary the edge shapes. 
• After the sky color is dry, mix a variety of cloud shadow colors. Choices are Yellow Ochre, Burnt Sienna, Ultramarine Blue, and Quinacridone Violet.  
• Using a large flat brush, start in the center and apply the lightest color using three different sizes. Change color and apply the darker/grayer colors to the underside of the cloud. Using a horizontal brush stroke on the bottom to give the flat shape. A variety of gray colors are important to shape and give dimension  to the cloud.
• Blend the damp colors with a dry brush moving the brush in different directions i.e., up, down, left, right. 

An interesting article from Outdoor Painter discusses how to paint clouds. The title and link are shown below.

How to Paint Clouds en Plein Air

ttps://www.outdoorpainter.com/how-to-paint-cloud
s-en-plein-air

Hints to Painting Trees

Painted Tree

Pen & Ink

Pencil Drawing

Trees are fascinating subjects to capture.  There is so many varieties of shapes, sizes, and colors.  As a landscape painter I sketch, draw and painting trees in most of my paintings.  Location, seasons, and the time of day are also other variables to painting trees.

I found an interesting article in Outdoor Painter  that has a lot of interesting insights into capturing the look and feel of trees. The title and link is shown below:

Six Keys to Painting Trees with Character and Dimension

https://www.outdoorpainter.com/how-to-paint-trees-plein-air/

Create a Value Plan

Creating a Value Plan is based on what elements are determined to be emphasized.  From the photograph above, I decided to emphasize the mountains and the trees.

Using the 3 values of Dark, Mid-value, and Light,

• I made the middle ground  trees a Dark value. 
• Behind the Dark value of the trees,  the background Mountains is a Light Value.
• The foreground rocks and stream were left as a Mid-value.

I always try to put the Dark value next to the Light value for higher contrast and to help the focal point stand out.

From this Value Plan, the shapes are transferred to watercolor paper and a Color Study was completed using the values as a planning guide to a final painting. The dark values and light values are helping the focal point where most of the white paper is showing along with brighter colors.

Value Plan - Light, Mid-Value, and Dark

Most value plans are done in black, gray, and white. It is important to understand that value is the lightness or darkness of any color.  Color and value occur simultaneously; value is one of the three dimensions of color. Placing the light, dark, and mid-value ranges of colors in your painting is an important concept to learn.

The first step is to organize the shapes of your painting and place them in a pattern.   The value pattern (or Value Plan) organizes the painting according to value and creates order from chaos.  The Value Plan guarantees you won't lose a shape because you painted it over or next to another shape of the same value.

The three (3) value plans shown above are:

• Dark building in front of light background
• Mid-value building in front of light or dark background
• Light building in front of dark background

A value plan starts with a small (5" x 7") sketch and then locate the negative and positive shapes.  Then decide which of the positive shapes are important ( something that tells the story or mood of the painting.) Next darken in those positive or negative shapes and create a connected pattern.

Creating a Value Plan will be covered in the next report .......................